Quiet in the Stalls Please!

What is your opinion on this? To cough or not to cough?
Extraneous noise at concerts - coughing, unwrapping sweets, rustling programmes, whistling hearing aids, talking - is the bane of the performer, and the concert-goer. In her latest book Sleeping in Temples, pianist and writer Susan Tomes devotes a whole chapter to the subject of coughing and audience noise in general (she wittily calls the chapter 'Bullfrogs') and the blogosphere was alive with exclamations and hand-wringing not long ago when violinist Kyung Wah Chung berated the parents of a young child who coughed during her recent concert at London's Southbank Centre.

The popularity of smartphones has added another irritant to concerts - people taking photographs, filming and texting during the performance: a couple of years ago I watched most of the second half of a concert by Yuja Wang through the video app of someone's iPhone. The illuminated screen can be disturbing to other concert-goers, and if you are texting or browsing the internet during a performance, it suggests you are not concentrating fully on the music, which is just plain discourteous to the musicians who have spent hours upon unpaid hours in rehearsal to bring this wonderful music to you.

A curious dichotomy exists in the world of live classical music concerts. Tradition and concert etiquette dictate that we sit in hushed reverence during the performance, stifle coughing and generally attempt to be extremely quiet. This enables us to concentrate on the music and avoids unnecessary distractions for the performers. Yet, as John Cage proved in his work 4'33", in a concert hall there is no such thing as "absolute silence" - for people are living, breathing, moving..... For performers, the sound of the audience can be extremely helpful, and most of us who perform actively enjoy the sense of the audience listening and engaging with the music (I also really like that "collective sigh" that seems to come at the end of a fine performance, before the applause, almost like a giant cat uncurling and stretching). It undoubtedly adds to the excitement of a live performance and reminds us that the music we play is intended to be shared with others. I love being at, or giving a concert where one has a strong sense of the audience listening very carefully in an atmosphere of combined concentration.

Of course, people can't help coughing (go to a concert in London in the winter, and there is often a cacophony of raucous coughing and nose-blowing), or moving in their seats, or turning the pages of the programme, but whispering and talking, tapping away or filming on a smartphone, or fidgeting is just plain rude in my opinion.

Audiences behaving badly

Susan Tomes on the subject of coughing

Coughing and the Art of Concert Etiquette

Frances Wilson is a London-based pianist, piano teacher, concert reviewer and blogger on music and pianism as The Cross-Eyed Pianist. She is a reviewer for international concert and opera listings and review site Bachtrack.com, and contributes art and exhibition reviews to US-based culture and art site CultureVulture. She writes a regular column on aspects of piano playing for ‘Pianist’ magazine’s online content, and contributes guest articles to a number of classical music and music education websites around the world, including Clavier Companion and The Sampler, the blog of SoundandMusic.org, the UK charity for new music. Frances is Artistic Director of the South London Concert Series, an innovative concert concept which gives talented amateur musicians the opportunity to perform alongside young and emerging professional and semi-professional artists in the same formal concert setting.

Read more on her blog: www.crosseyedpianist.com.

Author: Frances Wilson
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