At the age of nine his prodigious talents brought him to Columbia University; in 1975 he was discovered by Berry Gordy, who brought Mr. Goldstein to LA under contract toMOTOWN , as a recording artist / composer and producer. At the same time, interestingly enough, Mr. Goldstein was finishing a commission for a Bicentennial work,CELEBRATION OVERTURE 1776-1976, which was performed by the National Symphony Orchestra in May of 1976.Since then he has scored over 50 film and TV projects (including Fame, The Miracle Worker, Twilight Zone & Shocker), written Op-Ed's for the New York Times and the Los Angeles Times. He is a founder of the Museum of Contemporary Art in Los Angeles, a director of the California State Summer School for the Arts, and serves on both the music branch executive committee, and foreign language committee of the Academy of Motion Picture Arts and Sciences. He has also been a "visiting artist" for the Academy, lecturing from the Far East to the Middle East on contemporary aesthetics as well as music in film. He was asked to deliver the Academy Foundation's First Seminar on Film Scoring.
Mr. Goldstein early on established himself as a composer who is comfortable all over the musical map. In addition to film scoring, recording andConcert Scores performed from Carnegie Hall to Symphony Hall Boston; he established himself as an innovator of New Technology.
He has been sharing these gifts in his Master Class in Improvisation and The Creative Process. His uniquely gifted improvisations, his arts philosophy (Los Angeles Times), his innovations in technology, his unique approach to solving difficult issues (New York Times), and most of all, his music, continue to inspire. The opportunity to witness the spontaneous burst of creativity apparent in his improvisations, gives music, dance, theater, film and creative writing students; even MBA's, insight into their own creativity, talents and imagination. ( Read the Los Angeles Times review of Goldstein Improvising a Ballet )
In 1985 he created the very first completely computer sequenced direct to digital score for NBC's oceanQuest. CBS Masterworks released the CD as OCEANSCAPE. He then created the score for Sierra-on-line's KING'S QUEST FOUR, the first interactive computer game with a full blown musical score; resulting in a revolution for the computer game industry.